In The Nu Romantics the other day, this question was posed: If you were given an envelope with the time and date of your death inside, would you open it? Why? Why not? My knee-jerk reaction was, of course, “No,” harkening back to Julius Caesar’s famous quote: “Death, a necessary end, will come when it will come.” But on further inspection, I realized that wasn’t true, not for me. Not at all. I’m not old. Not by societal standards. In fact, one may argue I’m still but a babe in the womb. But I’m not young either. Life’s experiences, responsibilities, they make us who we are. No two people are the same or see life the same way. Two people may look at the sunset and know it’s beautiful, aesthetically we may agree, but what of the person who doesn’t see color? What is his vision of it, who can’t see the orange and yellow and red like Nature herself had painted it just for our exhalation, where we sigh and believe for one infinitesimal moment that god exists? Is it the same as yours or mine? What of someone who has a memory that isn’t pleasant or had an experience tied to that moment of Nature’s story? No two lives are alike. And neither, then, is beauty. Almost everything we see is tied to experience. And that is very personal. If I had the opportunity to know death in an envelope, a necessary end to life, I would, indeed, open it. And here is the sad truth that, perhaps, on first reading the question, I didn’t want to admit. It doesn’t matter when. It will come. I get that. But I don’t often live my live as my imagination would have me, the way my dreams play inside my soul. I’m responsible. I’m loyal. And often, with it, comes obligations. Much of my life has been lived this way. What I realized after pondering this question, is not IF I would open it, but what I wished for it to say. What I realized is that I began to envision, hope, for what was inside, and the words I longed to read. Words that penned the story of the life I often wish I could lead but do not. Yes. Some may think this sad or pessimistic or depressing. Maybe it is. But it's nothing if not honest. I wished, for one brief moment, that the envelope I opened would tell me my time was drawing near. Selfish you may say? Yes. It is. It's not that I don't have happiness. I do. And would not change much of my life. But it' a safe one. For once, I'd like to live a little "un" safely. Alive. In the moment of only right now, where my heart is. Hop on that plane. Hold that forbidden lover in my arms. Skinny dip for hours without worry. Take a train without knowing where my long, extended leg's foot will touch. Never wear lipstick again. Visit and talk with people I have no language in common with. Sip wine and not worry about its cost. Stand on the top of a mountain, alone, and breathe in the air. Jump off a cliff. Spend my money. Look in the mirror and not utter a single, negative thought. Touch a rainbow.
Fear is a terrible thing. But it’s part of who I am and how I was raised. For once, yes, I’d like to just not care…I'd like to live, selfishly in one blissful moment of only right now, and see my life play as I often watch it in my mind. But I know, the truth is, I can't touch a rainbow. But the thought alone has made me smile. And for that, I am happy.
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I’m always looking for a good television series to sink my teeth into, much like the books I read (and write for that matter), stories that are slow burns, that last, that reveal bits of characters and their pasts piece by piece, slowly. I don’t like short stories very much or quick-to-rise, rushed action. Some people do and that’s fine, but it’s not my taste to read or write that way. I often find myself upset, lost, and sad when a series I love ends, regardless of which medium it’s being told in. When I begin a television series, it’s easy to give up on the first couple episodes. People rave about it, while I’m at a loss to like it. However, I find that really good series are slow to catch and the same is true for the novels I love. Of course, some never catch, the flame burning out to gray ash before it can be inhaled, and you decide to move on; it’s not worth it. Life is too short, and fiction and creative stories too plentiful to waste time on, time that is so elusive as it is. But I always give my novels 100 pages and my shows three full episodes before I give up. Oftentimes, I’m so very glad I did as they turn out to be some of the most thought-provoking and provocative of tales, tales that make me think and question and reflect. Bloodline, a series I started, is one such show. A slow burn for sure, Bloodline lights that fire, revealing bits and pieces in glimpses of the myriad hues of yellow, orange and red, the crackle loud at times, and others, soft and nuanced, where we mostly see things in a third-person, limited fashion, through the eyes of the protagonist, John. It gets interesting when he and his siblings lose their father, and we start to learn their pasts as the memory of their father, their hero, starts to unravel. They start to realize they really didn’t know their father at all. It made me think of my parents and the glimpses they let me see of them, but made me question, like these characters, if I really knew them at all. I began to see that my perception of them is very much that of Mom and Dad, a narrow, myopic view, like many roles or hats we wear in life. The sister or the writer or the teacher, but that those things don’t begin to explain who we are, not truly, not the essence of our spirit or being, but only labels. I’ve realized that though I had glimpses into my Mom’s past and her extremely tragic and difficult childhood, I didn’t really know it or understand it much; certainly, I never gave it much credence or weight. She was my mom. The stoic. Likewise, my dad, too, though I knew of his tough upbringing, a mother that didn’t want a boy, who relegated his sleeping to an attic without heat, causing health issues to plague him throughout his life from severe illnesses he had developed, he was my dad, my rock, my hero, whose threshold for pain is probably one of the reasons he died so young. Had he been diagnosed earlier who knows. But he was used to pain. And I realize there is so much I didn’t know about either of them. Glimpses only go so deep. And the show has also opened up some memories that I had buried, that I hadn’t thought about in years and years, much like the characters themselves had. I talk of my dad a lot, how he was my hero, and he was. But make no mistake, he, too, was flawed; he was no saint. He may have seemed that way with me, but he had a dark side, and it’s interesting how this show has somehow caused certain memories to resurface, things I had forgotten, by choice or otherwise, I’m not sure. We often like to put our parents on pedestals, especially when they pass, remembering only the good in them, trying to engrave their legacy into our minds in a way we think they’d want or how we want to immortalize them. But they were people long before they were our parents with stories and dreams of their own, some realized and some not, triumphs and failures. It is those things who “make” people who they are, who they become, and it’s disconcerting to think how little we actually get to know of them.
We read. We watch visual representations in the form of movies and television shows. And we choose those we relate to. We do so because it’s what makes us vitally connected as humans. Not as our professions or our roles in life, but as people first, people connecting and thinking and hopefully reflecting. I can only hope my readers can feel the slow burn of my stories, not giving up early on, but watching the fire grow with each turn of the page to discover that things are not always what they seem, where the pasts of my characters are exposed to be as much a part of their present and their future…just like our pasts are. Is there anything you’ve always wanted to do but haven’t tried? Too scared? Or is it that you have no talent in it? Is it too risky? People always say silly idioms like: You only live once; or take a chance; or you’ll never know if you don’t try. Someone once wrote: What if I fail? Oh, but darling, what if you fly? 😊 This morning, when I woke, I lamented that I couldn’t take an adequate picture of what I saw. I wished for much longer than the briefest of moments that I could paint my view with brush and stoke in maybe watercolors or acrylic. To write it is almost impossible for me. The snow is falling as if feathers were let go out of a pillow and the pines…Oh the pines! It’s as if an artist took her paintbrush, dipped it in the purest of white, a white that doesn't exist, and meticulously placed its color just so. I swear. It felt like I was dreaming. I’ve always wanted to be an artist. In my mind’s eye, I see things so vividly. Sadly, those that “BE” decided I would have a recessive gene, and the skill of“art” was not bestowed on me. I’ve always been drawn to art in all kinds of forms. I loved the Degas ballerinas at my studio. In fact, I'd sit and get so lost in the detail that I often entered my class late. (Ha! Being late. It's my forte!). The renaissance painters. A beautiful photograph that no painter could depict. Odd, surreal stuff, like Dali. Depictions of Satan or Hell or fallen angels. I remember bringing one to college with me, I admired it so much. My roommate looked at me like she had just been put in hell herself. I didn't care. Art fascinated me. But I, myself, couldn't draw well. Or paint well. And taking the perfect picture happened once-in-a-blue-moon while. A picture of a sunflower I took graces my bathroom, but ends there. And my watercolors still remain two: A flower and oranges. Perhaps that is why I started to write so young. I had this creative energy inside of me that needed its voice. It was loud and strong and really, I can’t remember a time it was silent. I remember the first time I shared a bit of it I wrote. It was some silly contest in 4th grade. It was a simple bit of verse about nature, something assigned and something that just seemed to flow out of me. I remember thinking I’d probably be laughed at and almost didn’t share it. But I’m glad I did. It landed in the school “newspaper” and it validated, even that young, that it was okay that I had a voice of my own. And that it was okay to share it…sometimes. That idea of sharing work with others still doesn’t feel all that comfortable and sometimes, that’s okay. Some audiences are meant to be one. You’d think I’d be a bit more skilled at it by now, but it still makes my belly a bit too uneasy. Sometimes what resonates profoundly with me, the things I'm most proud of, don't seem to be the ones most people like. I do grow each day. Learn new things. And try to wake and put something down every morning, whether it’s poetry, this mumbo jumbo I share with you some mornings, or fiction, where I let my subconscious reign and roam free with little restriction. And so, I try something I’ve always wanted to try this summer, something I’ve long said I would do but haven’t. I have signed up for an introductory art course. One of the instructors where I work convinced me after we argued vehemently about those “step by step” studios that produce “paint by numbers art which is anti-art by its very nature.” (I still don't entirely agree with her!) Part of the course is photography and it’s the first I’ve seen where I don’t need a fancy camera. That is the next class. Perhaps, just perhaps, it’s never too late to try. What, really, do I have to lose? Absolutely nothing. Oh, but what I might gain!
On a hot, summer day this coming July at my family lake cabin, you might find me taking a hit of a joint, back firmly placed against the peeling wood of a floating dock, eyes closed, knees slightly bent, a contented smile hard to hide, the sun caressing my half-naked body as it welcomes the slight sunburn it knows it will garner, having been covered in layers of wool and cotton for too many New England months. Pink is such a pretty color. Perhaps I’ll roll over onto my tummy, hold my chin in the fists of my hands, elbows firmly placed on the wood to get comfortable. My legs might even cross behind me at the ankles to sway, and you might even hear me hum a tune, something like Weezer’s, “And it feels like summer,” as I take long, slow inhales and exhales, watching the smoke disappear up into the clouds like my stress. (‘course, I romanticize. You realize there is no way to get a joint out to a dock without, most likely, ruining it. 😉). Funny I’m thinking about this, isn’t it, with so much snow on the ground and sticking to all the trees this morning? It’s beautiful really. The snow is still even coming down ever-so ethereally, so lightly, and the trees, the huge pine trees, are weighed down by the wet, white wonder. It makes me wish I could paint. But not all the trees look so lucky. Some are bare but for the snow that sticks to them. And even that pretty white color can’t hide its pain. I almost feel bad for them. They look cold. Old. The one I look at right now as I write this has what appears to be a wound. I see the chipped wood of its protective outer layer gone, exposing what could almost be described as a slice in its soul, the bark, red, visible, even as I know summer will do its repair. But not all its broken branches will find their way back to rebirth. Even with all this romantic beauty around me, the picture only artists can do justice to or famous photographers, like Ansel Adams, and even with my fortunate life that allows a safe distance of warmth as I sip my coffee to marvel at it through my window, I’m beginning to feel cold myself. Winter out-welcomes her stay, and so, my mind drifts to that special summer place, where anything has always been possible. It’s where I wrote my first love letter, where, for one summer, innocence got gladly lost under a crescent moon, where, if you’ve read Ruin My Lipstick, I sometimes dared to swim to the deep part of the lake, where teenage girls shared one joint between eight lips and dared to tell our secrets. This summer, a new law will be in effect. I will be able to walk into, I’m assuming, a smoke shop in my cut-off, jean shorts, sun-kissed, messy hair, skin still damp, and buy a joint or a bud, or what will it be? I’ve never actually bought the stuff. It’s hard to fathom. Smoking weed has been such a taboo, secretive act for so long, to think about doing such a thing in the open air, makes me feel like that teenager who is finally able to drive for the first time alone. It’s a bit like masturbation. You’ve kept it hidden for so long, to share it freely, it just seems…well…odd or out of place, not something we brag about or share. That stuff is private. The funny thing is that I don’t smoke marijuana. Of course I have. I don’t mean that. I even inhaled it. ;) But I never really liked it. Not my bag. Anymore than a puff or two and I didn’t feel like myself anymore. Felt a bit out of control. Paranoid. I wonder if it’s because I was so self-conscious back then, worrying about EVERYTHING, if my legs were long enough, if my shifting eye color was too weird, if I was smart enough or good enough to get into the college I dreamed of. I wonder if I just wasn’t confident enough in who I was to alter my psyche, but instead it just highlighted my perceived flaws. I really don’t know. But this summer, I may, on a warm, July day, lie alone, in a newly-purchased bikini, much more comfortable in my own skin than all those years ago, and contemplate all the things I wish I’d done but didn't, and perhaps, too, blow a bit of the past in rings of smoke and see what words it writes across the limitless, night sky in front of me. Or perhaps, still, all these years later, I won’t have the urge to alter my state of being at all under a night sky, and instead, safely smile in the daylight of the blazing sun. Yes, perhaps, that will be quite enough. ~Ruin My LipstickI’m pondering, today, like many days, life and death and relationships and the rush of trying to accomplish everything in 24 hours and for what, besides a tear in our nylons? (Okay. I don't wear nylons, but I do wear tights! I'm being metaphoric here. ;) ) What are we exactly rushing about for? How many of you can relate to THAT? While in the grocery store checkout line, my mind drifted to my mom and a poem poured out of me and onto the note pad on my phone. And after I wrote it, I thought back to an older post I wrote, about the way I’ve always been compelled to write this way, this stream-of-consciousness way, even in the weirdest of places: I was the girl who always read and who carried her notebook with her everywhere to jot down things she observed: the woman smoking with her coat pulled tight against herself in the cold wind; the shy teenage boy glancing at me from under his long bangs, fidgety and nervous; or the plump 3-year-old pulling on her mother’s pants in defiance to get attention. I was always looking for a “story.” And though I don’t carry a notebook anymore, my phone has replaced it. Easier even to record ideas, thoughts, snippets. The truth is, I wrote a lot about my mom too. I had a complicated relationship with her. Can any of you relate? I wonder if it’s more common among mother/daughter and father/son relationships. That dynamic. Those high expectations. I wrote about this before: (loveand-all-its-idiosyncrasies.html). You see, my mom had a tough life, dreams ripped from her more than a few times, and she was what one may call a pessimist as a result. She was harsh. She was critical. She didn’t like me laughing too much. She often questioned my choices. Do you want people to stare at you? Aren’t those jeans a little too tight? Isn’t that skirt too short? Must you make such a fuss with your hair? You know you’re pretty, but you do realize your looks will fade? Aren’t you going to eat something else? Have you practiced this week? Can’t you be more like your brother? But what I realized in that checkout line, now that my mother has passed, all those things I used to do for her when she was ill, that I sometimes internally complained about, produced an bit of an epiphany in me…and hence, the poem. The tick tock is deafening. Muscles ache from strain. Rising sun. Feet on cold oak. Passing cars, honking horns, angry fists of move over and fuck yellow lights. Undress. Dress. Leotard. Bun just right. Spray in place. Grab an apple. Keys? Don't forget the milk for Mom. Dash to the express checkout and curse and hiss Into the back head of the too-chatty, blue hair, fumbling in her too-big purse, fingers not quick enough. Pour a quick glass of red to match cursory letters on black and white Times New Roman font In teacher's ink. Speed-dial family. Snapchat friends and try to breathe. It's what you've waited for. Except now, the silenced whirring rush tramples the solace because you realize that the only way to stop is to admit: Not anymore. And you look to see Irony holding Time's hand with a grim grin. Every year. One fewer thing to do. One minute. One second. Closer to death. It might seem a little dark from Rosemary, the romantic. I have a lot of them. These kinds of poems. And they probably don’t make sense to anyone but me. But they’re there. Often. And just below the surface. Always. It's okay. We all have a little dark in our light. I'm just grateful I have this little thing called writing to allow me to see them. It makes me whole. Tattoos were once thought of as marks of the troubled, the degenerate, the troubIe makers. Employers shunned those with tattoos and lies and myths about them were widespread and full of misconceptions, exaggerations, and lies even. Times have changed, like most things based on fiction and lack of knowledge or understanding. And tattoos are more common and accepted than ever, even consider works of art. I have one small tattoo that I got in college on a whim, and though not profound or "serious" in its outward appearance, I do love it. I got it at a time when I was truly discovering myself and my sexuality, where I could finally accept that calling myself a feminist and having submissive sexual tendencies didn't have to be opposing forces. Thank you, college, for that! I'm pondering getting one more, either on my shoulder or lower hip, right on the bone, or on the underside of a breast. Something also small. I'm not a fan of ostentatious tattoos. My body just isn't big enough for that, and it's just not something I find attractive, personally. Plus, I like skin. ;) I want it to be a quote, and I would have gotten one already, except that I'm not sure which one! Of course, Shakespeare comes to mind, and I've narrowed it down But lately, I've been pondering my own quote, one I penned myself. Is that too self-indulgent? I was thinking about "Ruin My Lipstick" to mark and forever remind me that I published my first poetry book, something I never thought I'd have the courage to do, but I'm not sure at 80, I'd be happy with that choice! And then again, why not? It's another turning point in my life, another mark of accomplishment, a growth, a reckoning. “Ruin My Lipstick” is the title poem of the collection, but it has layered meaning for me in many ways. Literally, there is this: “I liked to wear lipstick and nothing else and found myself fascinated with the shape of my lips and the different colors I could make them.” But it’s also very symbolic and figurative. We all have insecurities, and as I was compiling my poems to include, I realized the theme of facade runs through much of my work. In fact, most of my writing does, even my novels, those fronts we all put up in real life: who we are expected to be, which is sometimes in direct competition with WHO we really are. “Ruin My Lipstick,” therefore, is that idea. I look “put together.” Or I look proper. Or I look the part of whatever role I must play in the moment I am in it, but just under the surface, there is always this brimming sexuality or sensuality that is as much a part of me as breathing. And so secretly, I guess the idea of “ruin my lipstick,” puts those two ideas together as one, and allows me to be flawed, to accept those flaws, and to be loved because of them. In “Nude of Her Tights,” I talk about that symbolically and literally. Here’s a bit of it: Insecure. She lifts a leg, one at a time, rolls the nylon up over painted pointed toes, across straight knees, up higher over the spot charged with electricity because of him, and at last rests them around her waist with an elastic snap. She stands, exposed, but for the nude of her tights, and runs her fingers down her body one last time. The legs that were never long enough are suddenly just right. So frankly, perhaps I want this tattoo to be less frivolous, less rebellious really mean something to me, more of a reflection of the person I am now today, not the college student in the beginning of self discovery and rebellion, but the older version of myself that I am happy I am becoming, albeit, slowly.
To get a copy of Ruin My Lipstick, click here: NEW RELEASES Do you believe in ghosts? Why or why not? Has something personally happened to you that makes you feel the way you do? And if you do believe, what exactly do you think ghosts are? I watched a fascinating film last night: “A Ghost Story.” Has anyone seen it? It takes a very interesting approach to the idea of ghosts in a traditional visual but quite an existential non-traditional way. Besides one of the best endings I’ve seen in cinematic times, the idea of time is explored. We think so linearly about time: beginning, middle, and end, that to ponder it this way is intriguing. The way the director creates this is brilliant. And like any really good movie, it has stuck with me, as in, I keep coming back to it, its idea and content. I recommend it. In a fascinating article here by Live Science, they state: “If ghosts are real, and are some sort of as-yet-unknown energy or entity, then their existence will (like all other scientific discoveries) be discovered and verified by scientists through controlled experiments — not by weekend ghost hunters wandering around abandoned houses in the dark late at night with cameras and flashlights… In the end (and despite mountains of ambiguous photos, sounds, and videos) the evidence for ghosts is no better today than it was a year ago, a decade ago, or a century ago.” For the whole article, which is quite beautifully objective for a change, visit here: www.livescience.com/26697-are-ghosts-real.html My mother used to espouse the existence of ghosts. She had two stories. One is too personal to share. But one she would tell us as kids was about the house in which she grew up. Each night, she said, a little old lady took her hand and walked her to bed. Every. Night. She said she later discovered who he woman was through research and pictures. Nothing horrific or terrifying. Just a woman who lived there a hundred years ago. Could my mother have seen pictures somewhere she didn’t remember? Had she heard a story in her youth? Or was there in fact a ghost. I, myself, had a strange experience with a Ouija board. But the details are fuzzy, and I wonder to this day what really happened. Sometimes I wonder if I created the story from a real experience that, through embellishment and fabrication over the years, has blurred the truth of it. I’m honestly not sure. I don’t think I embellished at all. But to think otherwise, leaves me so baffled, I know of no other way. Even writing about it here frightens me.
I invite anyone to share their views with me. Personal stories. Stories shared with you. But I guess the big question is: Does it even matter? For either they exist or they don’t. And really, what does knowing do to change that? Yet another judgmental and arrogant person I've dealt with. Seems these last few weeks are filled with them, and I have no idea why! What is it about sensual images and the writing of erotic stories that can really get people’s knickers in a bunch? I addressed this last week with the word "erotic" and no sooner did I get into it with another on Twitter. This pompous know-it-all actually took one of my graphics and changed it. Now that takes effort! Would you like to see? I've attached it at the end if you do. I engaged with him, rather than simply block or lash out. Hell, I figured, at least I’m getting some interaction about my writing, right? And it slowly turned into the “I have a degree in English lit…and…” Yeah? So do I, buddy. But I didn’t go there. He wrote: “Usually if has anyone (sic) of either gender on the cover half naked, or uses the word Billionaire in the blurb, (or has a sword), I flick past it.” Okay. He is entitled to his opinion. But I did my own kind of flicking too (it may or may not have been with my middle finger!). Talk about judging a book by its cover. No mention of swords or billionaires in my blurb (not capitalized either, Mr. English major FYI), but yes, Natalie is en pointe ‘half naked.’ Oh my god. The gall, huh? Sadly, he is not alone in his view as Amazon agrees, because Temptation was put into the “jail” ages ago and my publisher hasn’t fixed it, because, well, if they do, I’ll lose all my reviews supposedly. This closed-minded way of thinking is getting old. And tiresome. When he started to insult the Bard, and that he “never re-reads a book” (What????), I knew it was a useless, one-sided conversation, that I was dealing with a very bored man, an unhappy one I’m sure. He hadn’t read my work, and I realized he wasn’t going to. That somehow because I explore the sensual and erotic in my writing, I’m lesser. I espoused that it’s really sad that such judgments and repression run rampant so strongly and that I find it disturbing. The question that still lingers for me more than anything though, is why he felt the need to go out of his way to engage and further, rework a graphic of mine. Buddy—you need to have more sex. Clearly. And therein lies the crux of the problem. I'm convinced of it! Natalie’s Edge is about the journey of discovering our true selves, including our sexual ones. The world of repression is very real, and for some of us, our writing is the only safe place we are allowed to express it. Writing that series was quite cathartic for me. And no one can take away its profound importance to my journey not only as a writer but as a human being who breathes and lives one day at a time. Darkness can consume an individual, swallow up the light, an unhappiness that doesn’t make much sense when that person seems to have everything. And we must reckon that or wither. Writing and exploring some of our darker thoughts and desires can often free us. Sometimes, it’s even therapy for conquering depression. And sometimes, we don’t even know until we let our subconscious roam free on the blank pages soon filled with so much of our truth, we only then can start to live. To deny sensuality is repressed, archaic nonsense. I grew up with the Catholic idea that sex is bad, so I know a thing or two about repression. I keep thinking we’re making progress. But we really aren’t. I won’t get into my political views here. But it’s quite apparent. And I ask why…just why does expressing oneself and embracing all facets of our beings get minimized to a sound byte of “porn”? My work is not “porn.” It is about relationships and romance, exploration, and submitting to visceral desires, through the written word to elicit emotion. My work is about love and acceptance. And I pity those that choose to ignore and suppress a vibrant and important part of living… If someone wants to roam about half a man, to him I simply say: I actually feel bad for you. I know. I've been there.
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I LOVE to write and read. I particularly enjoy reading erotic romance that has tons of emotion in it. I hope you will ask me questions and share your favorite authors and novels. I welcome all feedback.
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