I think I can understand it for myself…somewhat. My formative years. The boyfriends I had and the age. The poet with tough family life whose middle name was "Angst," who was sent away, later joined the military, and went AWOL. Perhaps, because I wanted to help him, “save” him from his past disappointments and couldn’t. Perhaps I like to see those happy endings in my romance books that may reflect what I wish I could have done. Keep the juicy angst but be able to fix it all in the end. I don’t know. I’m still thinking about that. I’ve come to the conclusion that I don’t much care about the whys anymore. It just “is.”
A few have criticized my choices in my “fiction" as a result. Recently, a “friend” who claims not be judgmental in any form (let me clear my throat), stormed “off the set” because of some of the contents on my books, unfriending, saying nasty things about MY 'character' because of the “characters” in my “fictional” books. Did I say “fiction”? Good thing she’s not judgmental, huh? And I see it happen to a lot of authors. It's not just me.
There’s so many varying forms and levels of sexuality from heterosexual to bisexual to pansexual to homosexual and everything in between. I’m heterosexual. And yes, this may sound silly, but sometimes, I almost feel like THAT is a bad thing to be writing about these days. I certainly felt that way with my previous publisher. I couldn’t care less which way you wave your flag. Love. Lust. Fuck. Kiss. Sleep with whomever you want. But how come traditional roles of love and relationships, conflict and resolution, falling in love and marriage is somehow bad, uninteresting, not important anymore? Says who? It’s what I, personally, enjoy reading in this genre. And it’s what I enjoy writing. I won’t apologize for it. Just as someone who wants to write about transgender relationships or gay sex or bisexual untraditional tropes. Go for it.
What's more, and maybe this is the rub, this genre, this trope, this story, is STILL quite popular among many romance readers, readers in general, that even in our changing world of more and more acceptance of non-traditional roles, the majority still like the trope of boy meets girl, they fall in love, and live happily ever after but not until there is a helluva lot of angst and conflict first. So what? Live and let live. I wish the judging would stop. On both sides of this coin. What difference does it make if it’s well-written and makes a reader feel? Find your audience. And keep producing what both you and they are looking for. It’s really that simple.
I write more than alpha male erotic romance. If you don’t know that by now, I question why you’re even reading this. There are pieces of me in my characters. Some more than others. But I am not my characters and my characters are not me. I think the best thing we can do is write if we’re writers; read if we’re readers; and make no apologies for what we want to read and write. If people continue to read my work, I’ll keep writing them. When they stop, I’ll probably stop publishing too. But I’ll never stop writing. And I will not apologize to anyone who can’t differentiate between fiction and the author of said fiction. Experience Informs Our Writing But It Doesn't Define Us.